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What is another word for prefaces?

Pronunciation: [pɹˈɛfəsɪz] (IPA)

Prefaces can be regarded as introductory parts of literary works. Synonyms for prefaces include forewords, introductions, prologues, openings, preludes, overtures, lead-ins, preambles, and exordia. Forewords and introductions are perhaps the most commonly used synonyms for prefaces. Prologues are used mainly in dramas to set the tone or provide context to the audience before the actual play begins. Openings and preludes refer to the beginning sections of works of music or literature, respectively. Overtures, lead-ins, and preambles serve similar functions as prefaces in providing context or background information. Exordia is a more formal term that refers to the opening remarks of a speech or writing.
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What are the hypernyms for Prefaces?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

Usage examples for Prefaces

Again, Tytler, whose Essay on the Principles on Translation, published towards the end of the eighteenth century, may with some reason claim to be the first detailed discussion of the questions involved, declares that, with a few exceptions, he has "met with nothing that has been written professedly on the subject," a statement showing a surprising disregard for the elaborate prefaces that accompanied the translations of his own century.
"Early Theories of Translation"
Flora Ross Amos
Suggestive statements appear in the prefaces to the works associated with the name of Alfred.
"Early Theories of Translation"
Flora Ross Amos
Allowing for interest in the new craft of printing, there is still so much mention in Caxton's prefaces of commissions for translation as to make one feel that "ordering" an English version of some foreign book had become no uncommon thing for those who owned manuscripts and could afford such commodities as translations.
"Early Theories of Translation"
Flora Ross Amos

Famous quotes with Prefaces

  • Shaw's plays are the price we pay for Shaw's prefaces.
    James Agate
  • None of his prefaces were ever thought tedious. They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled; every word seems to drop by chance, though it falls into its proper place. Nothing is cold or languid; the whole is airy, animated, and vigorous: what is little is gay; what is great is splendid. [...] Though all is easy, nothing is feeble; though all seems careless, there is nothing harsh; and though since his earlier works more than a century has passed they have nothing yet uncouth or obsolete.
    John Dryden

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